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5 OPCIONES DE DESCARGA POR SI BORRAN UNA.


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Dead Leaves (2004)

Contemporanea de Mind Game 2004 “Dead Leaves “ es una Explosion de colores, entretenimiento puro, Un verdadero espectaculo para vista, una fantastica muestra de la animación Japonesa con personalidad y estilo propio.
Pandy y Retro, dos inciertos renegados, despiertan desnudos en la Tierra sin ningún recuerdo de su pasado. Después de embarcarse en una juerga de crimen para conseguir comida, ropa y transporte en el centro de la ciudad de Tokio, son capturados por las autoridades y enviados a la infame prisión lunar llamada Dead Leaves.
Dinamica, Psicodélica. Vertiginosa "Dead Leaves" Es un mediometraje de 55 minutos que tomara por asalto todos tus sentidos........,….........COmentada por DAntino.

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Fuente:cultmoviez

Black Label Society - Order Of The Black (Japanese Edition)

Una semana de ventas han bastado para que lo nuevo de la banda del celebre Zakk Wilde, (Order Of The Black) se aupara, con más de 30.000 copias vendidas al puesto 4 del ranking The Billboard en USA.

Se nos presenta un plástico con mucha fuerza y en la línea habitual de la banda americana con riff endemoniados y la peculiar voz y guitarra la bestia de New Jersey (Zakk Wilde), 13 cortes de la mano de E1 Music y en Europa por Universal Records y Roadrunner.

Fuente:weblog

Fuente: Cinco noticias, Taringa
Los americanos que se encuentran en medio de una larga gira aún no han anunciado fechas europeas, que presumiblemente ya será en 2011, viendo la larga lista de bolos americanos en su pagina web (fechas hasta finales de noviembre).

Si os gusta el metal con toques clásicos entre el Hard Rock y el Heavy (Crazy Horse, Parade Of The Dead), con cambios radicales hacia la tranquilidad habitual ya en sus discos, recordad In This River del tristemente célebre Mafia, allá por el 2005 y dedicado al malogrado Dimebag Darrell , en la presente tenemos Darkest Days , Time Waits For No One y Shallow Grave, con su habitual piano y con letras profundas y qué demuestran que los tíos duros también tiene su corazóncito, especial atención para el corte 11 de 50 segundos Chupacabra que descoloca hasta al más entendido musical, cuando lo escuchéis lo entenderéis. Seguida de la polifacética Riders Of The Damned y cerrando de manera relajada con Junary, un trabajo muy recomendable y en la linea de lo que nos tienen acostumbrados los americanos desde hace ya más de una década.
Tracklist:
01. Crazy Horse (04:04)
02. Overlord (06:05)
03. Parade of the Dead (03:36)
04. Darkest Days (04:17)
05. Black Sunday (03:23)
06. Southern Dissolution (04:56)
07. Time Waits for No One (03:36)
08. Godspeed Hell Bound (04:43)
09. War of Heaven (04:09)
10. Shallow Grave (03:37)
11. Chupacabra (00:49)
12. Riders of the Damned (03:23)
13. January (02:21)
14. Junior's Eyes (Best Buy Exclusive Bonus Track) (Black Sabbath Cover) (05:24)
15. Helpless (Best Buy Exclusive Bonus Track) (Neil Young Cover) (04:34)

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Ray Lamontagne & The Pariah Dogs - God Willin' & the Creek Don't Rise (2010)

Ray LaMontagne’s voice is like sea salt caramel: smooth, thick and sticky, with a little bite. Some people think it’s a bit too much; others can’t get enough. In his previous albums, the Massachusetts-based singer-songwriter has tried different wrappings for that instrument: He’s gone dark and moody; mimicked the manly chug-a-lug of his inspiration Stephen Stills; and put some horns on it, edging into retro-soul.

Nothing’s worked perfectly. But on this new effort, self-produced at home with his touring band on hand, LaMontagne made the good decision to not worry much about packaging. “God Willin’ & the Creek Don’t Rise” has a natural feel, comfortably ranging from bar-band rave-ups to contemplative acoustic numbers, with master pedal steel player Greg Leisz leading several tracks into the expertly unfussy territory of blue-chip Nashville country rock.

“God Willing” has a lot in common with Robert Plant’s recent country-tinged efforts, as well as the recent project from Dixie Chicks Martie Maguire and Emily Robison, Court Yard Hounds. Like that band, the Pariah Dogs free themselves from genre constrictions pretty much by accident: They’re just very good players with a lot of experience, and they go where it feels comfortable. “Repo Man” is gut-bucket blues with old-fashioned lyrics (points off to LaMontagne for threatening to lay his straying sweetheart “right across my knee”); “Beg, Steal or Borrow” is a Cat Stevens-style hero’s journey. “This Love Is Over” might have been a John Legend song. LaMontagne’s gutsy, dramatic singing ties everything together. Crave it or turn up your nose, but it’s sweet.

— Ann Powers


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Fuente: la times, webblog

Justin Townes Earle - Harlem River Blues (2010)

For a guy who grew up in a sort of musical royal family — he's the son of Steve Earle, and was named for Townes Van Zandt — it's surprising that Justin Townes Earle has only been making music publicly for a little more than two years. He made his debut in 2008 and quickly followed that recording last year with the much-acclaimed Midnight at the Movies; on Sept. 14, he'll release his third album, Harlem River Blues.

What's especially noteworthy about the new recording — besides Earle's simple, heartfelt lyrics and his ability to change from swinging gospel to old-time railroad ballads to twangy country — is that even though he's been on the road constantly since 2008, the album doesn't sound rushed or tired. In fact, it's exactly the opposite.

The music Earle creates on Harlem River Blues is fresh and appealing in an old-fashioned kind of way. Listen to "Move Over Mama" — you know you've heard it before, but it sounds different somehow. The ability to explore familiar styles and sounds while not just imitating them is Earle's gift.

The album offers an impressive variety of styles. While the title track sounds like gospel music that's been kicked in the backside by Elvis, Earle follows it with what might initially seem like the standard "I've lost my love and I'm sad" kind of ballad. But it's really a metaphoric slap in the face — a call to stop wasting time with those who aren't willing to give us what we want or need.

He changes things yet again with some Johnny Cash-esque sounds and a nod to his hero, Woody Guthrie, as the album progresses. ("Workin' for the MTA" is a modern-day railroad story that would make Guthrie proud.) Throw in some solo piano and a ballad that sounds as if Bruce Springsteen might have written it in the late 1980s ("Rogers Park", some virtuoso harmonica playing and a 30-second reprise of the title track that hints at a different path he might have taken with this new album, and you've got Harlem River Blues — proof that Justin Townes Earle will be around, making relevant and interesting music, for a long time to come.

1. (02:48) Harlem River Blues
2. (03:03) One More Night in Brooklyn
3. (02:00) Move Over Mama
4. (03:48) Working For The MTA
5. (02:37) Wanderin'
6. (02:57) Slippin' and Slidin'
7. (04:10) Christchurch Woman
8. (02:40) Learning to Cry
9. (02:15) Ain't Waitin'
10. (04:27) Rogers Park
11. (00:29) Harlem River Blues (Reprise)

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Fuente: taringa

Sasha Dobson – Modern Romance (2006)

Biography: Sasha Dobson is a true natural. Born into a musical family, Dobson first hit the stage at the age of six. By 17 she hit the road, and made New York City her musical home-base. Today her talents have earned her accolades across generations and musical genres. While Dobson has emerged as an indie-folk favorite, she first developed her style as a darling of the jazz world.
In fact, this girl can really scat. For Dobson, jazz improv and phrasing is practically a birthright, having been exposed to jazz, and absorbing it through example since her earliest days. Barely in grade school, she performed with the Dobson Family Band with her father, the late great Bay-area jazz pianist Smith Dobson, her mother, vocalist Gail Dobson, and her brother Smith Jr., a sought-after drummer/vibraphonist and song-writer. No stranger to the stage, Dobson took New York’s jazz scene by storm, and in no time was performing extensively, from famed jazz club Small\’s in New York, to the Blue Note in Japan, Moscow and more.
Her 2004 release “The Darkling Thrush” (Small\’s Records), was a tour-de-force jazz vocal record backed by a large ensemble filled with prodigies of the New Yorkjazz scene. It established her as one of the great young scat singers of her generation.
After picking up a guitar, Dobson\’s musical tastes took a turn. And soon after, in 2006, she released “Modern Romance” (Secret Sun), a bossa nova-tinged collection of songs, many of which were written in collaboration with guitarists Richard Julian and Jesse Harris. Her song-writing skills broadened her collaborative abilities, attracted a new audience, and led to a reunion with an old musical partner in crime, Norah Jones.
Together Dobson and Jones have collaborated on numerous musical side projects over the years. And now, the industrious duo will play side-by-side once again, as Dobson takes the stage next to Norah, providing percussion, guitar and vocal harmonies on Jones\’ upcoming tour of her new release “The Fall.”
Sasha Dobson is also the supporting opening act on the tour, performing songs from her latest release “Burn.” A unique blend of blues, country and rock, “Burn” embraces Dobson\’s musical influences that span genres, from Lucinda Williams to Elliot Smith. Self-produced, with all-original compositions, “Burn” delivers a heart-felt performance rich with primordial layers of vocals, guitar and percussion and a brand of blues that makes her songs of love and loss feel pretty damn good.
Time Magazine says Sasha\’s songs “go down as easily as a frozen margarita,” and NPR predicted “amazing success ahead of her,” while Jazz.com praised the “warm, intimate performance” of this “rising star.”

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pass: ajiger

Fuente:Webblog

Mulholland Drive (2001)

Betty es una joven que acaba de llegar a Hollywood en busca de fama y reconocimiento como actriz, en la casa que le ha dejado su tía se encuentra a una misteriosa mujer que se refugia ahí porque no recuerda nada de su pasado debido a un accidente que sufrió con el coche, aunque parece ser una persona muy importante debido a que varias personas le buscan desesperadamente...

La obra magna de Lynch junto a "Carretera Perdida", y su obra mas controvertida ya que dividió y sigue dividiendo a critica y publico, algunas la tildan como un magnifico lienzo de lo críptico y otros como una chorrada sin sentido que ni el propio Lynch comprende.
Para mi gusto "Mulholland Drive" se desnuda como una magnifica obra, un obscuro retrato del horror y de esa horrenda maquinaria que es Hollywood, como un Cuckor y sus interminables orgías o la decadencia de una Jayne Mansfield al final de su vida. Un puzzle de apariencias que se destapa como una pesadilla dentro de otra pesadilla, sin recurrir nunca a la realidad tal y como la percibimos, una idea típicamente platónica.

Pero si hay algo pro lo que nunca me ha convencido de esta película es a causa de algunos de sus fans o críticos que la tildan de extraña, el film es totalmente sencillo, lo que inventa es una nueva narrativa, ya que la historia y su explicación es totalmente fácil de descifrar, al igual que sus metáforas, lo único a lo que hay que recurrir es a fijarse en sus escenas y cohesionarlas debidamente, ya que están desordenadas. Y ese es su principal merito, el juego que hace con el espectador, esa rebanada cerebral que al comprenderla no te parece tan difícil, pero lo misterioso y atrayente de su juego es saber como colocar las fichas, un pasatiempo delicioso. Un juego que continuaría con la mas difícil de cohesionar "Inland Empire", y su extensión, esa maravilla de "More things than happened".

Lo mas destacable de esta obra de culto, y apuesto que fututro clásico, es esa cruel critica de Hollywood como pesadilla constante, destruyendo al indiviudo y renunciando a su libertad a cambio de unos momentos gloriosos, o en su contrario, a una vida miserable de venta física y psicológica exponiéndose a unos monstruos adictos al sexo, a la droga y a la diversión a través de ver sufrir a otros seres.
Nunca existió una critica así, si exceptuamos "Hollywood Blvd" del gran Billy Wilder.

Una maravilla, que desafía al espectador a una partida de ajedrez humana.

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FUENTE: CULTMOVIEZ